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That son than quyen xa quyen

From Youtube.com - Posted: Oct 14, 2010 - 9,218 views
Phim Vo Thuat | That son than quyen xa quyen | That son than quyen xa quyen
That son than quyen xa quyen
That son than quyen xa quyen
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Thất Sơn Quyền Thần Quyền Thần Võ Đạo Trường Đao 苗刀Miao Dao Chang Dao

According to the ancient, the Miao ( the ancient Viet people in old China & now is an ethnic group in China, & Vietnam ) & many nearby Asian people have had the long bladed swords. Chinese call Miao Dao, Chang Dao. We call Trường Đao, or Burmese call Dza, etc....It's a family of Wu Jian 武劍, 武 刀, Võ-Đao & belonged to double-handed combat sword family. In the old days, we used different sizes, & length of banana -choppers to replace them. After the revolution, to custom-made a sword was an outlaw in some areas if done without the permit of the local government . It's doesn't matter how people call it, it's just a long bladed weapon. I like it the most besides the whip & Kwan Dao. It's a harmonious combination of Quyền (Form) & Kiếm Pháp ( Sword Technique ) beside the Thần Quyền (Spirit form ). The fighting technique off its alertness without going to the trance ( không dùng võ Tổ). The Spirit weapon style is very different than this. It doesn't look like anything.Our tradition is counted on how effective the cuts to be applied, but not how pretty the posing or theatrical dance-like forms. To have a good long bladed sword, a traditional one should be made one-edged sword, its handle-grip length should take into account of both hands, since in use with one hand sometimes. It is considered in certain technique in our Thất Sơn Quyền. The blade is the most important parts of the attack, second is the nose. But in some cases, such as very close to the opponent, it can not be effectively used, the reverse part of it is the different angles of handle strikes then can be used. In our style, the blade must be heavy at the end, & very different with Japanese's, so it can be ground at the center-pose near the Tan Tien, Đơn-Điền. The thinner blade is moving faster, but it is flimsy, only for easy to practice form. When you attack, it has the disadvantage to the weak side of it. But, in the traditional way to use it, we prefer the correct weight proportionally compared to the heaviness at handle. To be called a reasonable nice sword, it does not refer only to the structure of the solid and fragile, but that in a whole piece when the back of the blade is relatively thicker & strong because the leverage is likely grounded at the bottom, & not right at the center, or tilted toward front. The " Long Hổ Đao Pháp "龍虎刀法 is our based form for it. Our ancestors used this traditional technique in battles & form-practice, but not for showmanship. It's not a flashy style of weapon. The Zue Wang Jian 越王劍 of King Goujian of Yue 越王勾踐 (reigned 496 BCE - 465 BCE ) was the king of the Kingdom of Yue, ancient Viet people (present-day Shanghai, northern Zhejiang and southern Jiangsu, China ) is the long double-edged sword. For sword's resting technique, we use its sharp edge to place against the shoulder back, but nowadays people has changed it I've been taught & grown up with this art all my life, & many traditional Asian masters are still use the old techniques. If using the double-sharp-edged sword, where can you hide the other sharp side of it? If people are so afraid to get cut, may just don't practice it!
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