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That son than quyen xa quyen

From - Posted: Oct 14, 2010 - 9,218 views
Phim Vo Thuat | That son than quyen xa quyen | That son than quyen xa quyen
That son than quyen xa quyen
That son than quyen xa quyen
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That son than quyen Ho quyen

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Thất Sơn Quyền Thất Sơn Thần Quyền Thanvodao Seven Mountains Spirit Fi...

Vietnamese Kung Fu of Indo-Chinese martial art. It's an internal & external martial system of Thanvodao, an ancient form of mystic Taoist-Buddhist Kung Fu.Thất Sơn Quyên có nhiều hệ phái. Hê phái này hơi nghiêng vào khuynh-hướng tâm-linh. Võ phái với cá-tính biệt-lập & không giống các môn phái Thất Sơn khác. Nó là tác-hợp giữa Thần Quyền & Thất Sơn Quyền làm cơ sở cho nền tảng tâm-linh và võ thuật.
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Thất Sơn Quyền Thần Quyền Thần Võ Đạo Trường Đao 苗刀Miao Dao Chang Dao

According to the ancient, the Miao ( the ancient Viet people in old China & now is an ethnic group in China, & Vietnam ) & many nearby Asian people have had the long bladed swords. Chinese call Miao Dao, Chang Dao. We call Trường Đao, or Burmese call Dza, etc....It's a family of Wu Jian 武劍, 武 刀, Võ-Đao & belonged to double-handed combat sword family. In the old days, we used different sizes, & length of banana -choppers to replace them. After the revolution, to custom-made a sword was an outlaw in some areas if done without the permit of the local government . It's doesn't matter how people call it, it's just a long bladed weapon. I like it the most besides the whip & Kwan Dao. It's a harmonious combination of Quyền (Form) & Kiếm Pháp ( Sword Technique ) beside the Thần Quyền (Spirit form ). The fighting technique off its alertness without going to the trance ( không dùng võ Tổ). The Spirit weapon style is very different than this. It doesn't look like anything.Our tradition is counted on how effective the cuts to be applied, but not how pretty the posing or theatrical dance-like forms. To have a good long bladed sword, a traditional one should be made one-edged sword, its handle-grip length should take into account of both hands, since in use with one hand sometimes. It is considered in certain technique in our Thất Sơn Quyền. The blade is the most important parts of the attack, second is the nose. But in some cases, such as very close to the opponent, it can not be effectively used, the reverse part of it is the different angles of handle strikes then can be used. In our style, the blade must be heavy at the end, & very different with Japanese's, so it can be ground at the center-pose near the Tan Tien, Đơn-Điền. The thinner blade is moving faster, but it is flimsy, only for easy to practice form. When you attack, it has the disadvantage to the weak side of it. But, in the traditional way to use it, we prefer the correct weight proportionally compared to the heaviness at handle. To be called a reasonable nice sword, it does not refer only to the structure of the solid and fragile, but that in a whole piece when the back of the blade is relatively thicker & strong because the leverage is likely grounded at the bottom, & not right at the center, or tilted toward front. The " Long Hổ Đao Pháp "龍虎刀法 is our based form for it. Our ancestors used this traditional technique in battles & form-practice, but not for showmanship. It's not a flashy style of weapon. The Zue Wang Jian 越王劍 of King Goujian of Yue 越王勾踐 (reigned 496 BCE - 465 BCE ) was the king of the Kingdom of Yue, ancient Viet people (present-day Shanghai, northern Zhejiang and southern Jiangsu, China ) is the long double-edged sword. For sword's resting technique, we use its sharp edge to place against the shoulder back, but nowadays people has changed it I've been taught & grown up with this art all my life, & many traditional Asian masters are still use the old techniques. If using the double-sharp-edged sword, where can you hide the other sharp side of it? If people are so afraid to get cut, may just don't practice it!
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Thất Sơn Thần Quyền Thần Võ Đạo dòng võ bùa Hoa Tạng Hoa Ấn

Các em học trò mới tập, đem chia sẽ cho vui, mỗi dòng thất sơn đều không giống nhau về cách dạy của từng võ phái.Bên phái này đa số nặng về phái quyền gồng & khí công.Luyện quyền thì khác, & khi sáp trận thì rất khác.
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Thất Sơn Thần Quyền Thần Võ Đạo Seven Mountains Spirit Fist Kung Fu

I attempted doing this video clip slower to show the moves & the chikung training, Luyện Công partially as reference for our students. The haft lower body was cut off completely for trademark purpose since people has faked our system in CA, or Pa areas. This is not the most perfect clip but just to share. Each style has its own art & ways of practice. I try not to seft-claim what is good about ours, but with the intention contributing to my Than Quyen folks at home also of the overseas' That Son Quyen.The technique of Luyen Cong 練功 soft-hard dynamic martial Chi Kung worked must faster for re-booting the energy level as healing & manifesting the body-heat. This is one of the version, but it is still in a fast version in this clip, since the time limit of loading on YouTube. I aimed at some places here for cultivating the Chi like in the stage of using single finger technique " I Yang Ji" 一陽指 , " Nhat Duong Chi " pressure-point strike, & directing Chi float. The animals hand forms included also. While doing the internal moves, must knowing how to direct & hold Chi at certain spots of the points on the body for about few seconds for Chi travel, focusing fully on the wanted target before releasing the inner Chi just like boiling water to evaporate. The process must be repeat in many times until grounding the Chi down to Dan Tian & ready to be activated before sending entire the body or wanted areas. It's our martial & healing Chikung applied when feeling sick or physical recovery for body low-battery recharging method. Sometimes, I apply the normal practice to refresh the practice. Our movements of not a graceful, fluent, fancy or pretty internal form, but contains the mainly slow & fast, Yin & Yang principle of martial forms. I use some of these for the ultimate confrontation between life & death situation if using on street for making a realistic final decision since I do not want to be bothered using Animal or Spirit kung fu skills, but from Chikung in fighting art. Our form is side by side with the step initiating the moves of Wu Zhu ritual & mainly based on calligraphic dance-like moves. It is continuous and directed from the center, reflectively with other angles of surrounding protection with covering moves, when needed on ground, then the form will be applied.The internal breathing exercise by using body as a tool to clean internally through martial posturing as a Chikung practice is the best way for me. With this slow & clear moves, I showed Shaolin (Hong Men 3rd Gate) stances, "Irion Jacket" Chi Kung ( Cương Khí Công), hard breaking technique " Công Phá ", mystic Wu Dang "Chuen Fa " Chưỡng Pháp, some parts of 36 continuous hands ( Liên Hoàn Thủ Pháp) related to 36 astral spirits (6th Gate), and finally the essence of the 8th Ultimate Gate (Bát Môn) is Thần Quyền ( Spirit Martial Art) related to mystic Er-Mei Pai & normal Thất Sơn Quyền ,七山拳 & 七山神拳 or Thần Võ Đạo of Vietnamese kung fu. Personally, to say, it's a real combat style between life & death match. I like the hardness & solidity of the Yang, or masculinity form of it. The cursive or soft Yin part is the intellectual kung fu style of ours that I apply in spiritual & health purposes instead of killing, but also it's a very abstract to understand of its use. Its dynamic character combined with muscle, tendon with bone columns enforced which is the famous traditional of Nan Chuan, Nam Quyền 南拳 combined with realistic northern kicks Bắc Cước 南拳北腿 with entire body application全身勢法.For its body coordination of martial drill when you think of training in kung fu, it's all Animal styles of exercise with claws & fist, flat hands & moving step by step in fighting poses, stances as the way to look at its forming characteristic. Here, it's just a form of Chi exercise for body conditioning & martial application of the Seven Mountains Kung Fu style. You can not expect by watching in a short clip & rely on what I practice to compare what you learn from necessarily. It's a mystic kung fu system in Southeast Asia. A rose is different than a Peony! The distance of the journey is a time consumed depend on how you traveling whether faster by airplane, bus, boat... it's all based on individual interest. I would take the air plane for expedite my trip & careless about enjoying the beautiful ride from bus, or a boat scene from a ship. It's my kung fu reference based on individual karma is all good for somewhat highly value reasons!
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Thất Sơn Thần Quyền Thanvodao Seven Mountains Spirit Fist Kung Fu

Vietnamese Thất Sơn Thần Quyền Kung Fu or an Indo-Chinese martial art is an internal - external system of Thanvodao, an ancient form of mystic Taoist-Buddhist Kung Fu. It sometimes can be called as Transcendental Kung Fu or Vajrayana Kung Fu. Here is only a slow & friendly demo clip to interpret the proper application of spirit form's self-defense techniques for our mystic Kung Fu Thất Sơn Thần Quyền students when involving in any real life situation. This authentic Indo-Chinese kungfu art is very different than many other spirit kung fu styles or even to many modern-day martial arts. To provide more practical in a wide variety of its classic kung fu movements or mystic forms, by itself, it is only a mystic martial art that trained how to attack, & mainly is a use of combination in a quick effective self-defense when facing dangerous situations, or in any extremely severity that must choose to go into a trance-fighting circumstance Đây là clip video ngắn để gải thích cho các học trò thần quyền cách áp dụng đường quyền khi áp dụng vào thưc tề. Chỉ biểu diễn nhẹ vì võ Tổ rất nguy hiểm khi xuất đòn như con dao phay bén được tuốt ra khỏi bọc kiếm, nhât là lúc xuất ra khỏi xác để tổ về hẳn khi chiến đấu hộ thân.
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Thất Sơn Thần Quyền Thất Sơn Quyền of Thanvodao Seven Mountains Spirit...

I've tried my best to explain the logic of That Son Yin-Yang hand structure, & the fighting application in different angles of its " Ghost Fist" ( Ma Thu Phap) & its internal-external relations for our students, but this one is a share to friends. People has argued about their own art, we don't bother. We can't compare Chinese food to US food. Each has its own exotic taste. It's true, there are many system have their own martial influence from each other. It is not a big deal; it's just a principle exchanging of kung fu knowledge. This set is a hand-execise set. We don't call many hands in numbers though it's the names & orderly sets.. The practical part of the art is important, but not how intellectual the art is. You can do many fancy moves based on the effect of the diagram in order to fit the logic of hand changing, but for us the fanciness is the practical art, but not relied on how pretty the forms look. Each culture or system has its own concept of its own value in martial structure. Tu Tru Bat Quai Quyen is relation with martial just like Feng Shui structure in the martial form of southern region of Vietnam. It is also commonly existed in Chinese martial art whether it is internal or external. Modern people may divide the concept, but we don't. It's logically effective or not which depends on how the individual using it; not how complicate the system is built or taught. It's just a fragment of our "Ghost Fist" hand exercise. It's not a big deal! Showing the Vietnamese That Son Quyen Kung Fu hand form to share with our students also to benefit them from the teaching by watching. Our body language is just like many other styles, nobody looks like anybody as same as in martial language. The body language itself is a martial movements with vocabulary, grammars of body structure, but not a kung fu dance moves for us! We like doing the form with the rhythmic heartbeats, sweating in & out of its physical fitness, & each art is taught differently by their masters.In our kung fu, in a good mood we express in fast dynamic form, in a mellow mood, we describe slowly & fluently in martial statistic moves as in animal chi Kung diagram set. Just like driving car, when racing is different, when enjoying the beautiful weather, then may just cruising it around. It's what I meant in internal & external kung fu practicing. There is a crossing between the meaning of internal & external right there. The importance is embodying the utilization of the whole concept of its kung fu ability in effectiness, but not from how beautiful or pretty of forms are built for us.
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